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I saw a wonderful primer on the Oil Pastel Society website on dry brushing for blending to achieve a fog or hazy atmosphere. I believe that Ann Tucker was the author.
The demo said to use two hard bristled brushes: large and smaller sizes for this blending.
I am looking to try this technique on my seascapes when building a hazy or foggy atmopshere. I assume that for this technique your brushes would have to be able to really stand-up to abuse with the vigorous brushing. I tried this and my bristles started to come out.
Can anyone recommend a brand of well-made “hard bristle” brushes that will stand-up to abuse?
Thanks, Mary
Mary, try using a stencil brush, these are round short stubby type brushes and work well for this sort of technique.
Mo.
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My Art : Oil Pastel Society MemberHi Mo:
That’s exactly what I needed to know – thanks so much. I really appreciate it! Mary
Hi Everyone:
I’m giving Mo’s suggestion a try today, because the seascape that I’m doing has a bit of a distance and foggyness to it. So far the results are starting to achieve the atmosphere I’ve been looking for. We’ll see what the final painting looks like.
Thanks for your suggestion Hal. I’m not sure what scrubber brushes are – can you describe these for me?
Thanks, Mary
Hi Hal: Thanks for the information. I found two different sets of stencil brushes at a local hobby store: one set (round: 3/4″ and 1/2″) and the other (flat: from 1/4″ on up) that I found are perfect for pounding the oil pastel for the hazy look.
Mary
Hi Junglejude:
Here is the difference that I see in using a toothbrush vs a stencil brush, is that while you can get a hard bristled toothbrush you may not be able to stand the toothbrush straight up and down (like you could w/a stencil brush) if you are working in a small area or an area that you are trying to pound into the work surface. I did try a toothbrush a while back and I couldn’t get the leverage that I was looking for.
You may be able to go to a local hardware store, sometimes they sell art kits and you may find supplies for stenciling (i.e., let’s say someone wants to stencil a wall border in a room – on HI where would they go to get stencil kits?).
I agree with Hal also, try your technique out on a piece of scrap paper first.
Welcome – Mary
Hi Frida: I like your suggestion – could work.
Update – my findings:
I experimented quite a bit with the tooth brush method and stencil brush both to see if I could get any kind of misty atmosphere. Both seems to take the paint and mix it in with the underlayers to a point (no matter how soft or hard I used these tools) where the surface was turning an ugly flat gray that was not giving an illuminous atmosphere of fog.So upon further investigation on how to create a misty/foggy atmosphere with OPs w/o having the paint turn a flat gray: Using my cream/white/ very light gray (all depended on the final look I was after) I started moving my pastel over the layers that were already painted in, but didn’t blend this layer in. I swept the pastel over the mid-to-lower sky, past the horizon and slowly moved forward as I worked the OP down into the mid-water. I had to decide where I wanted the atmosphere to clear up. You could call it a scumble, but it was a very light touch.
If at the end of the pass the fog wasn’t heavy enough, I would start at the beginning running the pastel over it again in the same manner as described above.
BTW, before the oil pastel was layed down I waited a day for the original OP layers to set – this gave the surface a bit of a rough texture.
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