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talisman.
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December 10, 2018 at 4:16 pm #465964
I have been using more and more Cobalt Blue lately instead of Ultramarine, especially for skies and tropical waters. Mixed with Diopside, it makes a gorgeous clone of Phthalo Turquoise.
But…the pigment is fairly weak. My Holbein Cobalt is stronger than Daniel Smith’s but I was wondering…would there be another that’s stronger still?
Any suggestions?
Susan
December 10, 2018 at 5:17 pm #744343Depends on what you mean by weak… the weakest cobalt blue will still last forever, unlike the strongest of anything else.
There is a cobalt blue deep, which is probably a silicate and not an aluminate (I forget which is which), and looks almost exactly like ultramarine. However, it maybe toxic, as it dissolves in water. The particle size may also be bigger.
Usually, for mineral pigments, larger particles are more chromatic, smaller particles become greenish and translucent. Their handling in watercolor also changes.
December 10, 2018 at 7:31 pm #744356This site has a large swatch collection and might be helpful:
https://www.janeblundellart.com/blue-watercolour-swatches.html#200525897964422744-galleryI don’t have DS cobalt so I can’t recommend brand
My humble Facebook studio page ->https://www.facebook.com/CrystalKempen/
December 13, 2018 at 8:33 am #744344I have four PB28 paints: Daniel Smith, Old Holland, MaimeriBlu, and Utrecht. Utrecht is by far the strongest (most saturated), but it’s not as granulating as the others.
December 13, 2018 at 9:17 am #744349Has anybody tried Qor’s version? It looks pretty saturated. The most saturated one I have is White Nights–it’s gorgeous and has replaced my Daniel Smith version in my main palette.
Susan
December 14, 2018 at 10:31 am #744350I’m going to answer my own question here. The most vibrant, granulating Cobalt Blue I have is White Nights, followed by Case for Making, Holbein, then Daniel Smith. The CFM Cobalt is much greener than the others, though. Still a gorgeous color.
Susan
December 15, 2018 at 11:47 pm #744358M.Graham is the most saturated paint that I’ve seen and they made the most intense cobalt blue IMO.
I compared it with some of my favorite paints like W&N, Holbein, Schmincke and Lukas, and my conclusion is that M.Graham possessed the highest intensity and tinting strength among them.December 16, 2018 at 6:25 am #744351I don’t have a sample of that…and I don’t want to buy a whole tube of it. No dot cards, either, sigh. When I run out of my current supply, I’ll get a tube of it.
Susan
December 16, 2018 at 11:08 pm #744347I own and use the Cobalt Blue PB28 by QoR but … drat! … I haven’t ever tried that pigment in any of the other brands mentioned here. So, even though I have the missing link, I still can’t compare
.Certified Closet Management Engineer, Slung Watercolor Society of America
December 17, 2018 at 5:05 am #744352This forum needs a dot card exchange!
Susan
December 19, 2018 at 9:31 am #744346Maybe Kremer Pigment’s Cobalt Blue Deep
https://www.parkablogs.com/picture/extra-granulating-cobalt-blue-deepdark-pb74Check out my Youtube sketching and art channel
December 20, 2018 at 4:03 am #744354If you make one yourself and add only the minimum amount of binder, then you have a very strong cobalt blue.
So much binder that it still sticks to the paper.kind regards Nerion :bye:
December 20, 2018 at 8:55 am #744353If you make one yourself and add only the minimum amount of binder, then you have a very strong cobalt blue.
So much binder that it still sticks to the paper.I will probably do just that! And Potter’s Pink, too, while I am at it.
Susan
December 20, 2018 at 3:09 pm #744355You can do it ;). It’s always cool to make paint.
kind regards Nerion :bye:
December 23, 2018 at 4:36 pm #744345
M Graham gouache and watercolor cobalt blues. I made about equal sized blobs of each paint, loaded a flat brush with about the same amount of water, dissolved one blob into that water and got it mostly all into the brush, and then made 3.5″ (almost 9cm) long strokes while reloading with the rest of the diluted paint and a little more water until the paint was gone.
When diluted they look about the same, but the gouache is denser and of even coverage while at full strength. It could have been diluted more at the beginning and would have lasted more strokes. The watercolor version has more granulation at full strength and it seems like it’d be hard to get the gouache to granulate like that without diluting it too much and making it lighter than the full strength watercolor.
It’s interesting that M Graham’s cobalt blue gouache is actually about $2 less than their watercolor.
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