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June 30, 2018 at 12:52 pm #458254
Hi all,
I am starting an oil painting and I am looking for some advice on how to put lettering on to my canvas. What is the best method before I start?June 30, 2018 at 3:10 pm #649822I think a little more info about exactly what you’re trying to achieve would be helpful. But one thing you might consider is painting everything except the lettering and letting the painting dry completely. Once it’s dry, you can then attempt the lettering secure in the knowledge that if you make a goof, it will be easy to wipe it off and start again. I find this approach helps with telephone/power lines too.
[FONT=Arial]C&C always welcome ©[/I] [/font]
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“Life is a pure flame and we live by an invisible sun within us.” ― Sir Thomas Browne [/size][/font]http://s3.amazonaws.com/wetcanvas-hdc/Community/images/29-Jul-2007/85002-sig-thumbnail_composite_2.jpg]/img]
June 30, 2018 at 3:46 pm #649821It depends on the painting. If the letters are part of the design, or are important to the painting, then they are a detail like any other. Small paintings of small subjects, like a paint tube for example, should only have the lettering indicated.
Lady Mars Orange Marmalade Stapleford
Moderator: OIls, Pastels, Plein Air
Be yourself. Everyone else is already taken. -Oscar Wilde
July 1, 2018 at 2:18 am #649824Yes, it very much depends on the context.
If you’re talking about an impressionistic study then the writing can be just a suggestion of lettering though that’s not so easy to do convincingly as some people think. If it’s a modern illustrative style you can freely incorporate your version of the lettering into the design. If it’s a precisely drawn composition then the lettering needs to be spot on, perspective and all, or the error will be glaring.C&C always welcome.
Instagram harry.hamillJuly 1, 2018 at 12:55 pm #649823Harry is right about context. Have you any training in Typography? It does help not just with type but with training the eye to the fine points of shape.
The best policy is to avoid lettering whenever possible!Ken Tiessen
www.KenTiessenArt.com
Comments or Critiques welcomed...always!July 1, 2018 at 1:25 pm #649825My preference, regardless of whether the lettering is meant to be read, or not, is to wait until the painting is dry, lightly apply some oil/solvent medium (I use 1/2 and 1/2 walnut or linseed oil, and OMS) on the area you want to put the lettering. The type of brush depends on the type of lettering.
Usually lettering needs to be precise and centered. Often light guidelines are helpful, both for spacing and perspective. One thing that a typesetter needn’t worry about is perspective!
I just finished this one:
I oiled the face of the rock, used a straightedge to keep the lettering fairly straight, but choose to otherwise ‘wing it’, since the letters were not on a flat surface and were chiseled freehand. It came out satisfactorily, although compared to the photo, the words did not quite fill the rock as much. However, I doubt anyone is going to hold up a photo next to the painting, nor drag it out to the site for comparison.
If I can find it, I will post an image of a painting I did a few years ago of some small bottles of hoodoo oil used to dress candles.
New link to my latest work.[/url]
"The Tomb of the Unknown Soldier they dug on hallowed ground
But the tomb of the unknown artist is nowhere to be found."July 1, 2018 at 3:17 pm #649826I found the image for “Spellbinding”, a pretty good example where some of the text needed to be legible, and the smaller stuff just indicated.
A closer look:
New link to my latest work.[/url]
"The Tomb of the Unknown Soldier they dug on hallowed ground
But the tomb of the unknown artist is nowhere to be found."July 1, 2018 at 5:53 pm #649828Study typography, just kidding. You could start by designing your own typeface.
July 7, 2018 at 3:37 pm #649827 -
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