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Old 06-15-2004, 12:07 AM
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Watercolour Handbook - Lifting Paint (draft 1)

First pass on this. Please let me know if you have any ideas or additional information

Lifting Out


At one time or another, all artists have an area of paint that they would like to lift off an otherwise acceptable painting.

There are many methods of lifting paint off paper. Most of them are acceptable everywhere and a few of the more drastic methods may reclassify your painting as mixed media. The methods listed below can be used in conjunction or alone.

Brush and Water


This is the gentlest method and certainly the one to try first. It works well for non-staining colours.

Dip your brush in water and soak the area you wish to lift out. Leave it to sit for a short while (the paper should still be shiny). Then go back in with a dry brush and start lifting the paint gently from the paper. As the water soaks into the water colour paper, the paint will go back into the water layer and be easier to lift out. Wipe the brush off and repeat the lifting action. If you are positive it needs more work, get it wet again and repeat the whole procedure.

If you think that you might have lifted enough colour, let the area dry completely and go on from there.

Blotting


Blotting is basically the same thing as using a paint brush, but it is less controlled and may lift a larger area than you were intending. Use a Kleenex (not the ones with lotion in them) or paper towel to blot an already wet section of the painting. This is will gently lift paint off the paper. Remember to change your blotter often or you will transfer the blotted colour back onto your painting.

Scrubbing


This is the next step up in lifting paint.

Soak the area that you wish to lift and then scrub it lightly with a stiff brush (craft brushes are very good for this). Then lift the paint and water mix with a dry paint brush. If you have not lifted enough paint, repeat the gentle scrubbing until you are happy with the result.

A warning, too much scrubbing can result in a hole being created in your paper.

Another warning, this is VERY hard on paint brushes.

Eraser


You can use an eraser to lift dry paint. A plastic eraser lifts less paint and a pink eraser often will lift more. This is useful for adding sunbeams or subtle highlights.

Masked Scrubbing


This method requires you to mask an area and then scrub it as described above. This is very useful if you are adding hard edged shaped into a painting. If you are looking for a softer transition, you should be looking at other methods.

Using masking tape, tape completely around the area that you wish to scrub out. Make sure that the tape is securely stuck down and then wet the paper and proceed to scrub gently. Once you have lifted the paint, allow it to dry, remove the tape and proceed with painting.

Exacto knives, Razor Blades and Fine Grit Sandpaper


You can also scrape an area free of colour. This is useful for highlights on water or other small very bright white areas that you are not going to paint.

Using the edge of the blade, gently scrape the painting where you want the highlight to be. Blow away the resulting paper fiber an see if it is what you want. If not keep working at it until you have achieved your goal.

Sandpaper can be used in much the same way. 100 grit is a good choice for this. Start with completely dry paper and gently sand at the area you want. For highlights on water, one or tow passes will likely be enough. Again, blow away the paper fiber and see if you achieved you goal. If not, keep going.

These methods are very permanent and it is easy to overdo them, so err on the side of caution.

White Gouache or Chinese White combined with scrubbing


A very useful method, but one of those that, in stricter circles may be frowned upon. Lift as much of the paint as you can using the other methods. Let the area dry so you can determine how much more lightening you need to do.

Then get either white gouache ( more opaque) or Chinese white and mix up a fairly strong solution of it. In the area that you had previously scrubbed, start scrubbing the mixture in gently, You should be able to lift more colour out and end up with a white surface. Apparently, this also stabilises the paper so any paint you add will look all right afterwards.

Bleach


I have heard of this being used, but have not been able to find back up documentation on it. An instructor I had demonstrated it as well.

Mask off the area you are going to lift the colour from. Remove as much colour as possible. Then get household bleach and gently (with a cotton bud) dab it on to the area you want to bleach. Leave it to sit for about 5 minutes and then rinse many times with clean water.

My background is chemistry and everything about this method screams that that it is not archival.


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Old 06-15-2004, 04:20 PM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

Looks like you've covered the basics pretty well on lifting paint. I agree with you about Bleach. I don't think I would use that method myself.

I have found a soft toothbrush to be very good for scrubbing (if you are using a good quality paper) when you want to lift large areas of paint; or a Fritch scrubber or stiffer bristle brush used for oil painting; and some people are even using the little thingies made for cleaning teeth, I think they are called something like Optipick???? (There is a thread about this somewhere here).

Sylvia
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Old 06-15-2004, 07:54 PM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

I remember that thread Sylvia. Proxa brushes is what they were called there... I will do a search and add that thread as well.

Thank you.
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Old 07-02-2004, 08:10 AM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

good summary Christie
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Old 07-02-2004, 09:59 AM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

Thank you....
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Old 07-03-2004, 08:22 AM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

I agree that this is a good summary. Concise and easy to read, but quite complete.

I too wonder about the unintended effects of using bleach.
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Old 07-03-2004, 10:38 AM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

Thank you sir...

I tried the bleach and, after about 25 seconds, the paper was mushy. I have some sitting in the sunlight to see if it yellows. I expect to see yellowing and embritlement (sp?) within a month or so.

Personally, I would not touch this with a 10 foot pole.
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Old 07-17-2004, 12:37 PM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

Christie,
There is a new product out on the market called Creative Mark Aquacover. It's like white-out for watercolor paper. It's designed to cover Arches Natural White...I have a bottle of it and have tried it a couple of times...The color is an exact match for the Arches Natural White, but other than that, so far, I'm not really impressed. It says it's permanent, but after it dried and when I tried to paint over it, it melts or something....There are really no explicit instructions..I dont know if maybe I put it on too thick and it should be layered with many thin layers...I've even tried letting it dry for a couple of days. I'll keep experimenting with it and see what happens. The only place I've seen it is a ASW.
JoAnn
Just thought you might like to add this to the handbook.
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Old 07-17-2004, 12:41 PM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

Thank you. I have never heard of this (or seen it). Sounds like it might be good for recovering lost whites?
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Old 07-17-2004, 12:44 PM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

Yes, I think it works better when you dont paint over it..just retreive the white..I'm still testing it..
JoAnn
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Old 07-17-2004, 12:53 PM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

Please keep me informed about this. I would be interested to see what your research shows.
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Old 07-17-2004, 01:26 PM
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Re: Watercolour Handbook - Lifting Paint (draft 1)

I am going to post Draft 2 here.

Last edited by Christie : 07-17-2004 at 01:31 PM.
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