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Old 06-19-2001, 12:15 PM
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Tree Study 2



Same trees at a park below my house.

Two-hour plein air oil with three primaries/white on linen/board.
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Old 06-19-2001, 08:41 PM
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Maybe need a couple of trunks, branches, twigs in the trees on the right side??? Looks a bit unfinished.
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Old 06-19-2001, 10:45 PM
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Yup, I agree. It's a solid foundation, it's 3/4 done. Now it just wants some highlights to make the shapes stand out and give some warmth and sunshine. A bright yellow-green color is great for foliage highlights. If you're brave, you can even add the highlights non plein-air, just by trying to imagine where they should be. And maybe some reflected purple or blue on the shadow side of tree trunks, like the previous version.
I like the touch of magenta/purple you used in the clouds. It was only last year, after looking at cloud formations that I learned that clouds near the horizon are indeed purplish.
Patrick
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Old 06-20-2001, 12:45 PM
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Thanks, Phyllis, Patrick. I touched it up a little last night.
Is it "cheating" to studio finish a plein air?

Bob
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Old 06-20-2001, 09:13 PM
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Diane told me that MINOR adjustments in the studio are acceptable. There is a PleinAir Society web site that also says that. I'll look to see if I can find it.
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Old 06-20-2001, 09:35 PM
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Hi Bob, try this -- http://nhstudios.com/NAPPAP FrameSet.html

It's the National Academy of Professional Plein air Painters. (if I got it right--I'm techno challenged)
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Old 06-20-2001, 11:18 PM
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That looks awesome now. Great foliage highlights.
If only I could do foliage hilights like that.
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Old 06-21-2001, 07:16 AM
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Phyllis, Patrick - thanks for looking. I'm familiar with PAPA, Phyllis - what an awesome group of painters! Several of them do workshops, including Frank Lalumia, who was recently in Asheville.

Patrick, appreciate the kind compliment! I have to say I sort of wince when I look at this painting. I saw the way Margaret Kessler handles trees while reading through one of her books last night and I had one of those "aw - cr##" moments. She uses green sparingly and heightens its effect with complimentary colors. The result is convincing, even though if you really study it, you realize a tree doesn't "really" look like that.

I might hang out with these same trees for awhile. They're conveniently located in a park at the end of my street. There's usually enough light to do a small oil sketch of them at the end of the day after work.



Bob
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Old 06-22-2001, 02:05 PM
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Pretty good Bob, but you might want to vary the greens more with other colors. The trunks on the left are rather uniform; you could vary the colors or the markings to rectify that.
Very nice sky.

Bill
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"Well, look, if I paint what you know, that will simply bore you.... If I paint what I know, it will be boring to myself. Therefore I paint what I don't know."

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Old 06-22-2001, 04:41 PM
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Appreciate the comment, Billy. Hope to get better at this in time.
It's very challenging.

Bob
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Old 06-23-2001, 08:53 PM
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I especially like the highlights on the trees and the colours you have used.
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