Home Forums Explore Media Oil Pastels Oil Pastel Talk What’s the proper procedure for blending OP’s: Light colours over darker ones?

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  • #460420
    rich76
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        Hi, everyone. I’m a newbie to forum and oil pastels. From my research, I can’t find a definite answer to whether light colours should be applied over dark ones or vice versa. Your help will be much appreciated.

        #675118

        Welcome to the op group Rich:wave:
        You can apply op’s in different ways but here are some tips to make life easier;
        For light colors, lay down a thin layer of white first and then add little bits of color, blending as you add, until you’ve achieved your value.
        Lay down the desired colors of the 1st layer in the proper places before blending – it’ll make the 2nd and final layer much easier
        It’s easier to go darker than lighter.
        Black is rather overpowering and should be used with care. You can darken with the complimentary colors in many places.
        Practice and it’ll come naturally.
        Looking forward to seeing your work:)

        Christel

        #675123
        rich76
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            Thanks, Christel. Much appreciated. I recently took back up OPs. My first experience with them left me frustrated and depressed. But I felt compelled to try them again only to learn the brand and grade of OPs made a huge deal in the final outcome of your work. So I have invested in some artist grade OPs from some better known brands and come to realize my initial impression of them was unfounded. Thanks, again, for your response, Christel.

            #675119
            SarahY
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                Hello and welcome, rich76! :wave:

                Congratulations on beginning your oil pastel journey, the best medium in the world! Hope you’ll post your stuff.

                I’ve been thinking about your question. I don’t layer, the colour I put down on the surface is generally the final colour, which some shadow/highlight adjustments. But some lighter colours can go over darker colours. Sennelier white, for example, is very opaque and lush, and will go over pretty much anything. Sennelier yellows, on the other hand, tend to be transparent pigments and won’t layer well over dark colours. You’ll need to experiment a bit and find out what works for you and the pastels you have :thumbsup:

                http://www.shyeomans.co.uk
                \m/ neue deutsche härte \m/
                Nothing left but smoke and cellar, and a woman with a black umbrella...

                #675122
                Todd765
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                    Welcome Rich,
                    I myself and very new to OPs and this community has been very kind and welcoming so I am sure you will find lots of a great help here.

                    As for your question I will give you my take on it as a noob to OPs. Like SarahY said as well the OP you are using to layer makes a ton of difference.
                    I don’t own any Senneliers yet but they are on my Christmas list :)

                    I can tell you that I love Cray-Pas Expressionist and Specialists, also Mungo Artist Gallery OPs are really really nice. The Cray-Pas I find to be fairly transparent but the Mungyos are quite opaque compared to them so if I do want to layer some color over another I always start with the Cray-Pas which are harder then the Mungyo softer more opaque OPs over the top.

                    Good luck and glad to see you are enjoying the OPs more this time around.

                    #675120
                    Jennie
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                        I’ve been watching a few op videos and noticed a lot of artists started with a white layer. I guessed the purpose was to do with blending options, but haven’t mastered the technique yet. I call Cray-Pas expressionist my ‘good’ pastels, and have just ordered a Mungyo set, and am now keen to see how they work together.

                        Jennie
                        "Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.” – Georgia O’Keeffe
                        @jenniferpaints http://jrcs.com.au/artist

                        #675124

                        I’ve been watching a few op videos and noticed a lot of artists started with a white layer.

                        funny, I always start with black layer, underpainting with cheap black ops blended with turpentine

                        critique is welcome
                        department of graphite
                        limited english :)

                        #675121
                        Jennie
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                            I’m going to try that. Thanks for sharing.

                            Jennie
                            "Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.” – Georgia O’Keeffe
                            @jenniferpaints http://jrcs.com.au/artist

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