WetCanvas
Home Member Services Content Areas Tools Info Center WC Partners Shop Help
Channels:
Search for:
in:

Welcome to the WetCanvas forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions, articles and access our other FREE features. By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload your own photos and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!

If you have any problems with the registration process or your account login, please visit our help center.

Go Back   WetCanvas > Explore Media > Drawing and Sketching
User Name
Password
Register Mark Forums Read

Salute to our Partners
WC! Sponsors

Our Sponsors
Closed Thread
 
Thread Tools Display Modes
  #16   Report Bad Post  
Old 11-08-1999, 10:20 PM
anita Stewart anita Stewart is offline
Member
Suwanee, GA.USA
 
Join Date: Aug 1999
Posts: 54
 
Hails from United States
Here's a little note from one who has taught perspective for many years and uses chairs and stools all the time for " models".. It helps if you can break the chair up into planes...planes such as ..If you were doing a simple stool..You have to take into consideration the top of the stool,the sides of the seat,the bottom of the legs are on a plane, check if the dowels on the legs line up: are they on the saem plane?..the sides of the stool legs would also be on different planes..I have also seen artists take an object that is full of curved surfaces and box it in ,to give it flat planes..It's like imagining a rounded organic sculpture "put back into a piece of wood"..Like putting the carving process into reverse,taking it back to a square or rectangle shaped piece of wood. I hope this helps..
  #17   Report Bad Post  
Old 11-13-1999, 09:44 AM
Roger E Roger E is offline
New Member
Belpre,Ohio, USA
 
Join Date: Jan 1999
Posts: 21
 
Hails from United States
Everyone!!
I have just begun an entire series on just this subject. I am including perspective from two different positions. One from the somewhat arduous needs of the commercial and industrial artists/draftsman and also one for the fine arts or the freehand prospective. I hope these will help.
Perspective is really a very simple science. It is the complexity of the subject matter that is most likely to create problems. However, without a thorough understanding of the picture plane, it is nearly impossible to grasp perspective fully. Hope the series will help. Look for it in the ArtSchool OnLine section.
Roger

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Forum Jump


All times are GMT -4. The time now is 05:13 PM.


Copyright 1998-2013, F+W Media, Inc. All Rights Reserved.