You would see the sides nearest your Centreline on the outside houses.

Doug

If the house fronts are parallel to the street and not on a semi circle like the way you have them painted, then line them up as shown.

A two point perspective of a subject similar to yours:

I know this is a different composition, but my point is that a two-point perspective is more realistic when the view is of several important objects.

One-point perspectives are perhaps best when the view is intended to be very directional and focused on one major element of the painting:

Hope this is helpful. Paint on!

Sling paint,
Virgil

Great painting, Nancy. Just a few tweaks in the design might help, and yes, one-point perspective will work great for this.

Secret of great perspective? Many, but here’s one: One-point Perspective applies to one “volume” or “shape”. This means an artist/designer can apply a one-point perspective vanishing point as many times as s/he would wish in the same drawing. For example, three Buildings? We could, if it helps, use three vanishing points, one per building, each one a one-point perspective.

That could work here – three points across the same horizon line, one for each house all in one point perspective.

But I’ve stuck to a single vanishing point at the centre (shown here) for the three houses. Then I raised the vanishing point/horizon line up (vp not shown in sketch) just a titch as I drew the roof top lines/gutters for the houses on left and on the right. Then I raised the vanishing point/ horizon line up (vp not shown in sketch) just a titch more to rough in the paths. Do the lines precisely meet for the paths, no but I think it works.

Being respectful of your design, here’s a rough thumbnail sketch to illustrate how this might work:

Minor detail. I think I sketched the centre box a little narrow compared to your design.

Hope this helps in using one-point perspective. Cheers!