The perspective depends on were the paintings are intended to be viewed from.
Giovanni Battista Tiepolo used wonderful souring perspective in his alter pieces and ceiling frescos which are intended to be viewed from below. The paintings use very bold contrasts and simplified detail as they are viewed at a distance, the foreshortening and overlapping give a great sense or depth.
Apotheosis of Spain.
Angel with Scrolls
the Immaculate Conception alter piece.
Two views of the Treppenhaus Vault by Tiepolo.
And a detail.
Sargent did the same thing when he painted the aristocracies portraits intended to hang high up on the wall. He painted them taller than reality so they looked in proportion when viewed from below.
“What peaches and what penumbras! Whole families shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!—and you, Garcia Lorca, what were you doing down by the watermelons?”
— Allen Ginsberg
Are you ready for a Journey
PS Critiques always welcome but no plaudits or emoting please.