WetCanvas
Home Member Services Content Areas Tools Info Center WC Partners Shop Help
Channels:
Search for:
in:

Welcome to the WetCanvas forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions, articles and access our other FREE features. By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload your own photos and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!

If you have any problems with the registration process or your account login, please visit our help center.

Go Back   WetCanvas > The WetCanvas! Galleria > Structured Critiques
User Name
Password
Register Mark Forums Read

Salute to our Partners
WC! Sponsors

Our Sponsors
Reply  
 
Thread Tools Search this Thread Display Modes
  #1   Report Bad Post  
Old 05-12-2012, 09:40 AM
superupaman's Avatar
superupaman superupaman is offline
New Member
 
Join Date: Jul 2011
Posts: 3
 
Hails from India
Gollum Portrait—Structured Critique

MY IMAGE(S):




GENERAL INFORMATION:
Title: Gollum Portrait—Structured Critique
Year Created:
Medium: Oil
Surface: Watercolor Paper
Dimension: 3.5x2.5
Allow digital alterations?: Yes!

MY COMMENTS:
It's my first oil painting.

Being a newbie I don't know much about the materials or techniques etc related to painting. I tend to experiment almost every time and sometimes even without a faintest idea of why i am doing things that way. So please bear with me as I explain what I did in this painting.

Surface: I did this Oil paints on cold pressed watercolor paper (canson), maybe because that was the only thing available in my room. Lazy me.
It is a small ACEO card (3.5x2.5 inches), almost the same size of its scan.

Brush: I used one #5 round old watercolor brush, rough hair. Again, the only brush available. ^^;

Process: I used a reference picture (obviously), and started with the rough pencil sketch. Then I painted directly on paper. The painting process was kinda stupid, I realized it later that I could try painting the base color first. But that's the first attempt so I excused myself. :)
The major part of the painting is like...I pick the colors and paint that on roughly then wipe the brush a little (on a rag) and use the dry hair to blend/soften the paints by some to and fro strokes. That's it, more or less.



MY QUESTIONS FOR THE GROUP:
One thing is I was not aware (and still am unaware) of is the dry time thing of oils. I don't know how much time should I wait and why etc. before painting over a layer. I mean this painting I did quickly (about 6 hours) but still there were times where I thought I'd messed it because of wet paint. I guess this is something I'll understand with experience.

But anyways, since I'm just trying to learn by practicing it, I'd really appreciate if you could take some time to comment or critique this work. Thank you so much.
~rupam
__________________
facebook | twitter | deviantART

Last edited by superupaman : 05-12-2012 at 09:42 AM.
Reply With Quote
  #2   Report Bad Post  
Old 05-15-2012, 04:24 PM
AllisonR AllisonR is offline
Enthusiast
Århus
 
Join Date: Feb 2008
Posts: 1,938
 
Hails from Denmark
Re: Gollum Portrait—Structured Critique

Creepy- that's a compliment. Good use of limited color palette to give it atmosphere. No crits. I am surprised you have so many reads on this post, and no replies, especially as this is your first oil painting.
__________________
Being born places you at a greater risk of dying later in life.

http://www.abrosenlund.com/paintings/
Reply With Quote
  #3   Report Bad Post  
Old 05-24-2012, 07:18 PM
SvetlanaVS SvetlanaVS is offline
New Member
Indianapolis IN
 
Join Date: May 2012
Posts: 12
 
Hails from Russian Federation
Re: Gollum Portrait—Structured Critique

That is a great first attempt with oil paint! there isn't much room for critique. Minimal use of color is very great. Makes me think you should definitely stick with oils for a while and experiment more (if you have patience!)

The only constructive thing i can add is:

Your choice of surface is not very archival, so with short amount of time it will start to deteriorate. You might be able to do a layer of gesso on the back of the paper, and a layer to a panel and sort of "glue" it on there, but I'm not sure how archival that is, probably more so than just watercolor paper.

So next time you work with oil, use a more suitable surface!
Reply With Quote
  #4   Report Bad Post  
Old 05-27-2012, 02:28 AM
La_'s Avatar
La_ La_ is offline
WC! Guide
Alberta, where coyotes look both ways before crossing the highway
 
Join Date: Jun 2006
Posts: 9,090
 
Hails from Canada
Re: Gollum Portrait—Structured Critique

what a creepy little dude

oils are wonderful, you'll get used to them
different colors dry at different rates under different environmental conditions and depending of course on how thickly you apply them.
cadmium yellows seem to take the longest to dry on a pallet, and alizarin crimson is a long laster too ... and sap green ... white's not bad ... couple of days on a primed canvas is generally enough to be dry enough for another layer, unless you're goobering it on generously.
watercolor paper will soak up the oils and potentially leave areas of chalky color behind, get canvas books/tablets, boards, stretched ... primed, always primed. i guess you could even prime watercolor paper and it would work.

wet on wet application is great for a lot of things, soft edged things, smooth blending things, scootching and refining shapes ... adding layers atop dry layers is almost always an improvement option for pushing contrasts, depths and details.

looking at your reference there's room for higher key lights to be applied, which means there's room also for darker darks ... once what you have is dried (touch it gently - cool and/or tacky=don't touch, room temp and smooth=carry on)

monochromatic like this is perfect for learning oils and really, fun subject!

la

p.s. you're aware of copyright laws, right? the part where you could be sued for selling this piece without permission? (they won't give permission so be careful). i have no doubt you'd get offers, he's fully recognizable.
__________________
_____________________________________________
Pacis, der Frieden, Mir, Shanti, Friour, Paz, Pace, Kapayapaan, Fred, Piersica, Taika, Aman, Beke, Miers, Shalom, Salam السلام, Heping, Mir (Мир),Paix,Ειρήνη
Peace - When the power of love overcomes the love of power, the world will know Peace
Latin, German, Serbian, Bengali, Icelandic, Brazilian, Italian, Filipino, Swedish, Romanian, Lithuanian, Hindi/Urdu, Hungarian, Latvian, Hebrew, Arabic, Chinese, Russian, French,Greek

Last edited by La_ : 05-27-2012 at 02:36 AM.
Reply With Quote
  #5   Report Bad Post  
Old 07-09-2012, 06:49 PM
henrik henrik is offline
Immortalized
Stockholm, Sweden
 
Join Date: Jan 2000
Posts: 4,018
 
Hails from Sweden
Re: Gollum Portrait—Structured Critique

Good likeness, and a very successful first attempt at oil. Congratulation, on to the next project!
Reply With Quote
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is On
Forum Jump


All times are GMT -4. The time now is 01:34 AM.


Copyright 1998-2013, F+W Media, Inc. All Rights Reserved.