maritajill
11-27-2006, 03:48 AM
This is a read-only thread, to see the original, click here. (http://www.wetcanvas.com/forums/showthread.php?t=384856)
Here is another watercolour using the method of the landscapes I did on Friday. I thought the lines on the nasturtium leaves lent to it really well. Started this yesterday (Sunday) - it's been wonderful to have such a long weekend when I've been free to paint :thumbsup:
Helen asked how I worked. :wave: .... so I decided to make a quarter sheet, larger than I have before to slow me down..
First I needed a linear drawing of each area of colour, not too big as each will have a miniature wet in wet blob created inside it.
http://www.wetcanvas.com/Community/images/27-Nov-2006/44433-drawing.jpg
Then the fun begins. :p
http://www.wetcanvas.com/Community/images/27-Nov-2006/44433-nast1.jpg
This was it after another hour or so.
I found I was working on areas that were similar colours across the image.
Each section is painted really wet and left to dry so a hard edge happens around the shape. Into the wet area I used another brush to introduce another colour to mix wet in wet. Small slips of dry paper are left, where the pencil marks are.
Hard edges show up best on a hot pressed paper. I'm using a Khadi paper, which has a wonderful surface, tho not uniform.
Here is another watercolour using the method of the landscapes I did on Friday. I thought the lines on the nasturtium leaves lent to it really well. Started this yesterday (Sunday) - it's been wonderful to have such a long weekend when I've been free to paint :thumbsup:
Helen asked how I worked. :wave: .... so I decided to make a quarter sheet, larger than I have before to slow me down..
First I needed a linear drawing of each area of colour, not too big as each will have a miniature wet in wet blob created inside it.
http://www.wetcanvas.com/Community/images/27-Nov-2006/44433-drawing.jpg
Then the fun begins. :p
http://www.wetcanvas.com/Community/images/27-Nov-2006/44433-nast1.jpg
This was it after another hour or so.
I found I was working on areas that were similar colours across the image.
Each section is painted really wet and left to dry so a hard edge happens around the shape. Into the wet area I used another brush to introduce another colour to mix wet in wet. Small slips of dry paper are left, where the pencil marks are.
Hard edges show up best on a hot pressed paper. I'm using a Khadi paper, which has a wonderful surface, tho not uniform.