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dcorc
03-06-2005, 10:57 AM
While the previous classrooms in the series have mainly taken the form of practical demos, I wanted to do something slightly different in this one. Of course it's impossible to teach "all about" head and neck anatomy across a fortnight, and I doubt anyone here would really like to learn it either! But it's certainly easy when looking at portraits to tell the difference between those people who have a fair understanding of anatomy, and those who do not. So what I want to do here is to try to help people to think in terms of anatomical structure when they do portraits.

I'll introduce various topics with additional posts in the course of the 2 week period, (building up information gradually, starting with some basics on the bones), suggest some study exercises, and (hopefully!) answer any questions. I'm particularly keen to point out features which vary with age, sex and ethnicity, as careful attention to these can all help the portraitist achieve a likeness (and give control over the issue of accurate versus flattering!). I'd also like to try to shed a little light on how some of the structural features - for example the structure of the skin and underlying tissues - affect surface appearance. Understanding these factors may help you make someone look younger (or older), fatter or slimmer, for example.

Let's start today with some bony anatomy:

the skull consists of 3 areas
1.the cranial vault, or calvaria enclosing the brain, and
2.the facial skeleton, including the upper jaw (maxilla)
3.the lower jaw (mandible)

These two diagrams show the various bones which make up the skull, colour-coded to make it easier to see how they all fit together.

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-skullfront.jpg http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-skullside.jpg

and here's that side view again, this time with the bones named:

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-skullnames.jpg

Have a look at this pair of casts of skulls - the left hand one is an adult, and the other is a 5 year old - note the difference in relative proportions of the cranial vault versus facial skeleton
http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-adultskull.jpg http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-5yrold.jpg

- in the child the facial skeleton is a smaller proportion of the total head, though the orbits are large, as eyes are proportionately larger in children than in adults - and note how there is vertical elongation of the midfacial skeleton in the adult, particularly of the maxilla and zygomatic bones, and of the mandible - this occurs during the teens, and is a factor in the rapidly changing facial appearance during adolescence. Note also the difference between the adult permanent teeth, and the childhood deciduous dentition.

The maxilla is part of the cranium, and the upper teeth are inserted into it - thus their position is rigidly set in relation to the rest of the cranium.

Let's remove the mandible, and look at the skull-base from below:

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-skullbase.jpg

Notice how the majority of the hard palate behind the teeth of the upper jaw is maxilla, and behind this is the palatine bone (here, centrally, in pale pink) - the back edge of that is the attachment of the tissues of the soft palate - above that is the posterior entrance to the nasopharynx.

Note that much of the central skull base area is the sphenoid bone (here in grey), and posterior to it is the occipital bone (in yellow). The large hole in the occipital bone is the foramen magnum through which the spinal cord passes. In humans, the foramen magnum faces inferiorly (i.e. downwards) associated with our upright stance, whereas in most animals the foramen magnum opens posteriorly (backwards). To either side of the foramen magnum, we can see the articular condyles - the surfaces that the first cervical vertebra hinges on. ( We have 7 cervical vertebrae in the neck, between the base of the skull above, and, below, the first thoracic vertebra - which has the first rib attached).

I'd like to turn our attention to the jaw for a while, and its relationships.

Let's look at the hinge area:

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-tmjbones.jpg

If we look at the temporal bone from the side, we can see the auditory meatus - this is where the external ear canal links up to the middle ear - immediately anterior (in front of this) is the temporomandibular joint, between the head of the mandible, and the lower and most posterior part of the zygomatic arch (which in turn forms the bony prominence of the cheek).

Behind the auditory meatus is the mastoid process, where the sternocleidomastoid muscle of the neck attaches (this is the big straplike muscle which runs diagonally across and down the neck to the top of the sternum and the inner end of the clavicle) - take a moment and feel the hard bulge of the mastoid process behind your ear; turn your head to the other side, and feel the sternocleidomastoid muscle running down your neck.

Now place your fingers along the vertical groove in front of your ears, and open and close your mouth - you should be able to feel the movement of the back edge of the mandible - notice that at the hinge at the top, the jaw actually moves very slightly forward on opening - this is because the temporomandibular joint is not a simple ball and socket joint. In fact there are two joint cavities, with a disc of fibrocartilage separating them - the effect of this is to allow the joint to glide forward as well as rotating during opening (the disadvantage is that if the mouth is forced open too far, the joint can be dislocated, and the mouth stuck in the wide-open position!)

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-tmjfunction.jpg

So what are the muscles that close the jaw? - the masseters, temporalis, and medial pterygoids.

The masseters run from the angle of the jaw diagonally upward and forward onto the lower border of the middle region of the zygomatic arch:

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-masstemp1.jpg

Put your fingers on the sides of your face above the angle of the jaw - clench your jaw - feel the masseter muscles contract, and feel along their anterior (front) borders - follow them up to the bone of the zygomatic arch making up the prominance of the cheek - feel along this horizontally forward and back

The temporalis muscle is a large fan-shaped muscle attached in an arc across the side of the cranial bones, which comes together and runs deep to the zygomatic arch, ending on the coronoid process of the mandible.

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-masstemp2.jpg

Put your fingers on either side of your head, and clench your jaw - you will be able to feel the temporalis muscle contract

There are two more muscles attached on the inside of the jaw, the medial and lateral pterygoids

http://www.wetcanvas.com/Community/images/06-Mar-2005/30792-pterygoids.jpg

Both are attached to the mandible and to the sphenoid bone. The medial pterygoid pulls the jaw up and forward, the lateral pulls the jaw forward, and the chin down slightly. They may also be used to pull the jaw from side to side

These muscles all cooperate in the process of chewing. The major muscles involved in opening the jaw will be described by me when I discuss the muscles of the tongue and neck.

Here endeth the first lesson :p

Lots more to follow, over the course of the fortnight!

Dave

Laurie2
03-07-2005, 07:18 AM
This looks as if it will be a very useful thread...will lookforward to following along :D

eileenclaire
03-07-2005, 09:31 AM
Dave, wow, an outstanding demo! :clap:

I have learned a great deal already. The graphics illustrate your points beautifully. I can see how having more knowledge of the skull structure will be very useful in painting a portrait. Seeing the comparison of adult to child is quite revealing.

This is an outstanding resource for the Portrait Classroom!!! Can't wait to see the rest!

artbabe21
03-07-2005, 10:57 AM
Thanks Dave! We certainly appreciate the generosity of all the artists who have offered time to help with this series! :D

Terrific start! I seem to always try to understand basic anatomy when drawing by looking in a mirror or looking at an anatomy book.....we have to know what's underneath to get it right! :) Look forward to taking this all in!

Reinhard1
03-07-2005, 04:24 PM
Dave, thanks a million. Absolutely fascinating. Are you working connected to medicine or is that purely artistical interest?
Dave, please disregard my question. I was just at your homepage and read your publications. That answered my question.

pixieface
03-07-2005, 05:44 PM
thats a very informative and easily understood lesson dave
looking forward to the next one
pix :cat:

colours_man
03-08-2005, 08:07 AM
Thanks Dave,

This is great I have printed it for my portraiture scrapbook, and await the following installments.

krispee
03-09-2005, 01:43 PM
wow, you really know your facial anatomy......a lot of old masters(especially sargent) believed unless you had the underlying anatomy right you could never achieve a good likeness.....what a challenge!

anyway, really cool stuff here dude....look forward to the next lesson

krispee

krispee
03-10-2005, 02:41 PM
well, i was looking at the other portrait classrooms and they had people posting with examples so i thought i `d do the same, hope that`s the right thing to do....

http://www.wetcanvas.com/Community/images/10-Mar-2005/46276-childskull_pc.jpg

http://www.wetcanvas.com/Community/images/10-Mar-2005/46276-skullside_pc.jpg

http://www.wetcanvas.com/Community/images/10-Mar-2005/46276-skullface_pc.jpg

haven`t practised the skull for so long it was about time i got down to it....and the last one is me trying to combine the two, the skull and a childs face(more like a teenager lol)....too much going on in there to make out that much so don`t think it worked that well, but it was a good excercise to do.....

krispee

dcorc
03-10-2005, 02:54 PM
Hi all - thanks - next installment to follow in the next 24 hours or so, I hope.

krispee - you did exactly the right thing! :clap: This is precisely the sort of use I would like people to make of the information - I particularly like what you have done in the third sketch, which is all about "seeing the skull under the skin" and using the anatomical knowledge to get proportions and placements correct - excellent!

Dave

laudesan
03-10-2005, 11:45 PM
I am signing up and for now reading along..:)


JJ

Rosic
03-11-2005, 03:26 PM
Excellent Dave! I don't know how you continue to hit homerun after homerun! Thanks!
Bern

dcorc
03-17-2005, 03:26 AM
Hi all - (thanks Bernie!)

Sorry I haven't got back to this yet :o - had a very busy few days :rolleyes:

I will, I will - I promise!

Dave

A Few Pigments
03-17-2005, 04:50 AM
Thank you Dave for this thread. I’ve always had a problem getting my head around this. It’s good to have a thread like this to help us get a head in portraiture. I’m sure it will help me move ahead in painting faces. I found the link below a bit helpful.

RN-DS Partnership, Archaeological Reconstruction, The Manchester Technique, http://www.rn-ds-partnership.com/reconstruction2.html

dcorc
03-21-2005, 05:04 AM
Hi folks - apologies for not getting back to this yet :o

Excellent link Bruce - well worth a look, and something I will comment further on in due course.

I'm still intending to add three or four additional posts of info into this thread, so will do so as and when, while other classrooms run.

Dave

artbabe21
03-22-2005, 10:53 PM
Dave, looking forward to your next installment. Take your time, life happens.

For those following this series, there are two other demos posted currently...

http://www.wetcanvas.com/forums/showthread.php?t=259176 facial proportions

and

http://www.wetcanvas.com/forums/showthread.php?t=252312 skin tones

rosebard
03-23-2005, 09:36 PM
Thanks Dave for part one. Hope you everything is alright for you.

Take care.

maria_khurram
03-26-2005, 01:44 AM
:clap: :clap: :clap: :clap: WOW great work. :clap: :clap: :clap: :clap:

rosebard
04-02-2005, 07:41 PM
Hi guys. Just want to share a link. Need to subscribe but I think it is interesting stuff there. The february, march and april lesson is about skull.
Just a thought.

http://www.artacademy.com/

:wave:

china doll
04-02-2005, 09:06 PM
OK, I am hooked. This is perfect timing for me as I am starting to get into attempting portraits and being able to keep these great articles together (including krispee's post and the practice drawing) will be just what I need to have at my fingertips when I get stuck (and I know I will - LOL).

Super thread and series. Jill

krispee
04-03-2005, 04:24 AM
bard: followed that link and found an image that was posted on the facial poportions thread....looks good but why not just download Loomis Fun with a Pencil or Head and Hands + a little effort is all you need...

krispee

dex
12-23-2005, 07:36 PM
great demo dave,and i think,much needed,very interesting too,
and many thanks to you Bruce,for another very interesting link!,thanks guy's.
regards
dex

Chloe_1
02-05-2006, 10:43 AM
Dave, looking forward to your next installment. Take your time, life happens.

For those following this series, there are two other demos posted currently...

http://www.wetcanvas.com/forums/showthread.php?t=259176 facial proportions

and

http://www.wetcanvas.com/forums/showthread.php?t=252312 skin tones



Thanks for posting these 2 sites; but the second one come up as invalid:wave:

Dana Design
02-05-2006, 11:14 AM
Chloe, try this one:
http://www.wetcanvas.com/forums/showthread.php?t=26538&page=1&pp=15