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  1. lights at night
  2. Painted Oil on Paper - Help? Advice?
  3. Tri-Art Artist Mediums Canvas Gesso
  4. How are the edges finished on these panels from Jerry's?
  5. favorite non-lightfast paint/pigments?
  6. Fixing color on Giclee prints
  7. Free Floaters Framed
  8. Michael Harding vs Vasari Oil Paint
  9. Mixing Greens
  10. Non toxic, solvent free, fast drying mediums??
  11. Painting sparkly jewelry
  12. Mastic Varnish
  13. Using paint half dried on the palette?
  14. Oils and "revarnishing"
  15. Fumed Silica in Oils
  16. Permanence PV23 Question
  17. How to draw before painting
  18. Ideal consistency of glazing medium?
  19. Gum Arabic to keep shape of brush?
  20. Help please! Crack in priming (before painting completion)
  21. Glazing with a soft cloth
  22. Weird pseudo-OMS problem
  23. Are these new mediums as awesome as they sound?
  24. Can non-artists varnish oil paintings?
  25. Empty tubes for oil paint
  26. Questions about cleaning brushes
  27. Best way to create a thick impasto
  28. "fat"-over-"lean"?
  29. Gamsol / Odorless Mineral Spirits Questions
  30. Maestro Pan Professional Artists Oils
  31. how to make impasto putty?
  32. cold wax drying time?
  33. 3 GAC 100 layers on Hardbord too much?
  34. list of quick dryers & oil extenders?
  35. can i mix baby powder with oil paints?
  36. Does anyone have experience with Art Treehouse's Bio-based Thinner?
  37. Odourless paint thinner safety.
  38. Is this normal synthetic brush behavior?
  39. Homemade wooden art panels?
  40. Width of Winsor & Newton Yellow Handle brushes
  41. Ultramine Blue (PB29) and keeping Palette in water
  42. mixing calcium carbonate?
  43. Artisan Impasto medium adhesion issue
  44. Anything more transparent than Tri-Art Clear Gesso?
  45. What exactly does "correct execution" mean?
  46. Oleogel vs Neo Megilp!
  47. Alla prima level of detail
  48. Problem with spotty varnish
  49. Substitute for turpentine washes
  50. Materials to use for large surfaces and supports
  51. Tempered Hardboard / Masonite
  52. georgian oil
  53. Oil on Paper
  54. Helpful article coveringrecommended drying times for gesso and acrylic underpaintings
  55. Transparent Red / PR149 replacement
  56. How to thin water mixable oils?
  57. Williamsburg FLake White 16oz Can
  58. Genuine Naples yellow light
  59. gesso
  60. Brush question from newbie
  61. Lead White ground, is it worth it.
  62. Georgian Water Mixables not mixing
  63. Best Water Mixable
  64. The perfect impasto medium
  65. Venetian turpentine
  66. Re: Genuine Naples yellow light
  67. How to make my oil colors more fluent.
  68. Alkyd oil paints ( fast drying)
  69. solvent can
  70. Painting over a giclée on canvas
  71. spring of synthetic brushes and turp
  72. Cobra Raw Umber
  73. Haze on Oil Paintings
  74. why the . just happend
  75. Rabbit skin glue
  76. hues commonly available 1850 USA
  77. Posting your work!
  78. Soy Methyl Ester Solvent - Soyclean 1500
  79. Stringy?
  80. Dry toxic paint
  81. Wet on Wet mud
  82. Eco-house Neutral Thin MSDS: how will it affect both me and my paintings
  83. Extra large canvas makers?
  84. Mixing Oil Painting Mediums?
  85. Looking for an Old Holland Vs Winsor & Newton comparison.
  86. Water-mixables vs Chroma Atelier acrylics?
  87. Oil mediums
  88. Mixing medium with only some paint puddles?
  89. When should you move from student grade to artist grade?
  90. Rapid Dry Titanium White
  91. Zinc White: Friend or Foe?
  92. Question about the size of water mixable oils
  93. Money/Oils
  94. Regarding the use of Black as toning agent.
  95. Retouch varnishing- Help please.
  96. turpentine dissolving gesso?
  97. Yellow Ochre/Raw Sienna
  98. Has anyone used Stevenson's Oil Painting ground?
  99. Cobra study vs Van Gogh
  100. large quantities of oil paint
  101. Drying time for an oil painting done with linseed
  102. Scraping Masterpiece Canvas
  103. Recent Paintings - some xpost
  104. Murphy's Oil Soap
  105. Titanium white brand battle!
  106. Flexible Gesso formula??
  107. Relatively fast drying zinc whites?
  108. How to attach small light objects to oil painting on board?
  109. Shiny patches
  110. Stand oil drying issue
  111. Any experience with Lavender Spike Oil?
  112. Oil Of Spike Lavender
  113. Labels and pigment content
  114. Thinners
  115. priming hardboard for oil painting
  116. PVA isolation coat
  117. Why MDF?
  118. So confused- is my method okay (alkyds/ oil paint)
  119. Tell me about varnishes...
  120. Sizing Masonite for oil painting
  121. Brushes still contaminating other colors
  122. Newbie questions regarding mediums cleaning
  123. remark on Sennelier pain consistency over a few hours
  124. Using Alkyds (Liquin) and/or Oil Between Layers ...
  125. Something going on with WC
  126. What additive causes the Old Holland stiffness/shortness
  127. Oil Priming Aluminium Composite (Dibond)
  128. Sharp edge stretcher bars
  129. Painting with Glue?
  130. Is Varnish Fake News?
  131. Slick
  132. Gamsol, Galkyd, & Refined Linseed Oil (fat over lean question)
  133. Winsor Newton Artisan Brushes
  134. safflower oil
  135. How much medium or oil can be used for glazing?
  136. Correcting a glazing mistake
  137. brush ID
  138. Oil Paint Recipes
  139. Vegan gesso
  140. Cellulose binder
  141. Caps on paint
  142. Basic questions re. used tubes of paint
  143. Thinning paint without making it oily.
  144. Vasari Oil paint stabilizer.
  145. Is there still a question mark over Maroger?
  146. Sweating hands under silicone gloves
  147. Plasticizing Agents in Camel Brand (and other) Oil Paints
  148. Zirconium Oxide
  149. Wood oil for easel
  150. Old Holland's Castor Wax ingredient and Glazing.
  151. Bill Martin's Recommended Glazing Medium
  152. Problems with Gamvar
  153. Sanding Lead
  154. Painting with teak or danish oil
  155. Gorilla PVA Glue
  156. Sennelier Flow N Dry
  157. Cleaning painting.
  158. Storing oils in tiny plastic containers for pleinair?
  159. Anti Skin Spray
  160. Painting on preprinted canvas unstretched
  161. brushmaking
  162. Newbie needs some advice.
  163. Mounting loose canvas
  164. NeoMegilp question
  165. Sun thickened linseed oil - advantages and alternatives.
  166. Using Gray's-"properly"
  167. PolyFlax
  168. Best leak proof palette cups with lids?
  169. mediums generally intermixable?
  170. Acrylic Mirrors, the next generation of painting surface?
  171. Which easel for painting small canvases standing up?
  172. Natural, non-plastic spackle?
  173. Painting directly onto Dibond
  174. How to use siccative?
  175. turquoise
  176. Ground rubbing off
  177. Liquol versus Liquin
  178. About PVA glues and "Acrylic Gesso"
  179. Lead Napthenate as a siccative
  180. What is your ultimate palette of colours? - money being no object.
  181. harmful vapors
  182. Brush cleaner for rinsing brush while painting
  183. ApplePly for painting panels
  184. Warped Canvas and Panels: Prevention and Cure?
  185. Dick Blick Studio's new "Alizarin Crimson"
  186. Antimony trioxide white
  187. To mix or not to mix
  188. Page brand oil colours
  189. colour charts to compare manufacturers' versions
  190. Palette Knives
  191. Waxy stabilizers in modern paint reducing the beautiful translucency.
  192. Making paint with Dioxazine purple.
  193. How to Destroy a Painting
  194. Fixing an Unwanted Impasto Glob (on Canvas)
  195. Blue?
  196. Opinion on Escoda Marfil (chengdu fiber)
  197. Europe May Call TiO2 a Carcinogen (Titanium Dioxide)
  198. White Spirit - solvent naphtha - Varsol - Stoddard
  199. Respirator for Oil based Spray Paint?
  200. Respirator for Oil based Spray Paint?
  201. Same Synth. Brushes for WMO's and traditional oils
  202. What is Stand Oil Used for?
  203. Colour Theory Question
  204. PY35 and other reactive pigments :/
  205. Charvin CL label
  206. Plaza Art oil color
  207. Cadmium Paint smell
  208. cobalt or ultramarine for mixing greens
  209. Suggestions for an earth palette
  210. Mold on a oil painting
  211. Regarding the use of a final Varnish - Preferred Material
  212. New Yellow pigment PY227
  213. Interesting statement from Golden RE: GAC100 and Hardboard
  214. Fragile Rembrandt Paint Tubes
  215. Palette Tray Stuck
  216. Painting an unfinished wood floater frame?
  217. Mixing White ???
  218. Why cant we manufacture a True Primary Colour?
  219. Mixing Different Oil Paints; Safflower & Linseed
  220. Best acrylic primer/gesso for smooth surfaces
  221. A little more on the brittleness of zinc
  222. June 2017 update to Tad Spurgeon's page on Oil Putty Medium
  223. Pure Raw Linseed Oil
  224. Repackaging old W&N Alkyds
  225. M Graham Walnut Oil - Alkali Refined
  226. Making Magic White or Clear
  227. Attn Admin. I doubled posted about Magic White.
  228. Color lightfastness and our lifetime
  229. Making Fumed Silica Gel Medium
  230. Mixing the Vasari proprietary mixes.
  231. green make me frustrated
  232. Mat Cutter EXperiences
  233. making walnut "stand" oil
  234. Glass Palette Under Water vs Clove Oil.
  235. Genuine Chinese Vermilion - incredible in mixes?
  236. Adding To A Painting That Was Previously Varnished
  237. palette and brush safety
  238. Studio lighting: for (1) Model and (2) Canvas
  239. Varnish. Gloss or Matte?
  240. Gesso too slick, opinions?
  241. Recommendations for opaque earth colours (PY42, PR101)
  242. Question about what to paint on
  243. colour chart mistake?
  244. Alexander Art's non yellowing claims
  245. Canvas issues
  246. Why is overdiluting paint with medium bad?
  247. No Experience with oils: Use kiddie paints or save for better?
  248. Turps - and feeling guilty
  249. Lead White
  250. Rublev's Balsam Essential Oil Medium - for replacing M Graham Walnut/Alkyd?