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Author: Leigh_Rust, Contributing Editor
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| With the block in completed I move back to the background and build the textures and details to compliment the animal and describe the environment. Remember that this is a background and you don't want it to compete with your true subject. Keep things simple.
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| The time has come to get down to business. It's time to work on the animal. Starting with the eyes is generally a good idea as you can inject the personality of the animal early on before you get too carried away. Keep to your layout and reference sketches. By doing this you can include your personal experience from when you encountered the animal in your work. This will ensure that the work has spirit, soul and impact.
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| B i o g r a p h y | |
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Leigh is a wildlife artist based in Australia who is passionate about wildlife conservation and active in helping zoos and wildlife organizations with fundraising and promotional exercises. He is also the founder of the Untamed Artist Network, a wildlife and nature artist network committed to preserving the natural world. |
| E-Mail: wildatart@gmail.com Web Site: http://wildatart.mosaicglobe.com | |
