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© 1998, 1999, WetCanvas! |
| Editor's Note: Through a special arrangement with the author, we are able to bring this wonderful excerpt from Liz's book, Painting Sunlit Still Lifes in Watercolor. Please drop her an e-mail and let her know your thoughts, or better yet, buy her book here at WetCanvas through our affiliation with Amazon.com. |
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Follow along with the step-by-step demonstrations in this book to learn her effective (and often surprisingly simple) techniques. You'll see how to capture the rich, sunlit textures and colors of a variety of popular still-life elements. You'll also find advice on every aspect of painting still lifes--such as creating dramatic sunlit effects in your studio, setting up your arrangement, and designing a sparkling composition unified by light and shadow. Four complete painting projects--with every step explained, from arrangement to final touches--show you how to use all the skills you've learned, to put together gorgeous still lifes alive with light. For more information on purchasing Liz's book, click on the image of the book. |
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"Liz Donovan's watercolor still lives are infused with the sparkle, color and movement of sunlight. Fabric and lace, glass and silver, and fruit and flowers are captured along with warm sunlit patterns and luminous shadows. She paints in a realistic, yet exciting and colorful style, full of wonderful detail. More than a collection of beautiful objects, Donovan's paintings capture a glorious moment of light." -- North Light Books |
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I placed these strawberries on an eyelet cloth because I liked the way the dotted eyelet pattern seemed to repeat the dotted highlights on the strawberries. One strawberry was cut open for texture contrast and so I could dribble juice down the front of the cloth. Little messy, unexpected touches make paintings so much more interesting. A gray-green background and a pale modified Cobalt Blue wash on the cloth set up the white highlights on the strawberries as the lightest value. Save the eyelet pattern and the highlights on the strawberries with frisket. |
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| Notice there is a pattern to the strawberry seeds. Try to paint around them as you build up layers of Cadmium Red, with Alizarin Crimson in the darker areas and orange toward the light. |
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| Think of the strawberries' rounded shapes, the bright, saturated red at the top surrounding the white highlights, the darker value through the middle and the reflected light from the tablecloth near the bottom. The darkest value is in the crease where the strawberry meets the table. Remove the frisket. |
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| Use shadows to fade and blend the eyelet design. Finish the leaves. Shape the highlights. Finally, dribble a little strawberry juice down the front of the cloth. |
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| Liz Donovan on Her Art: "For me, sunlight gives an otherwise inert still life its movement and energy. Observe objects arranged on a window sill with windowpane-shaped rectangles of sunlight falling on them. Some of these things may move slightly, the flowers will wilt, leaves will turn toward the light, but the sunlight spills, splashes, leaps, and dances across your arrangement, filling it with life and energy." |
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A signature member of the National Watercolor Society, as well as an active member of several other artists' societies, Liz Donovan has received numerous awards. Four of her paintings, Yellow Daylily, Gerbera Daisies, Teapot with Gladiola, and Lilies,have been honored with awards of distinction and featured in Rockport Publishers' volumes, The Best of Watercolor, Volume 2, Painting Texture, and Painting Light & Shadow. Her paintings are also included in Rockport Publishers' books Best of Watercolor and In Watercolor: Flowers. Donovan has been named a finalist in competitions of The Artist's Magazine and American Artist. |
| A resident of Maryland and Florida, Donovan studied graphic design and fine art at the Corcoran School of Art and Maryland Institute of Art. She has also studied oil painting and drawing with David Zuccarini and has taken the workshops of Don Stone, Jeanne Dobie and Alex Powers. Liz is a contributing editor to WetCanvas!, and be reached via email at lizd@abs.net. For more information on Liz and her outstanding watercolors, visit her online studio at http://www.voicenet.com/~hadunn/liz/. | |