Employing the Additive Technique for Creating Monotypes (1/2)
Author: Julia Ayres, Gail Ayres, Associate Editors
| I consider the additive technique the most straightforward method of making monotypes. An image is painted on a smooth, non-absorbent surface (the printing plate), as it would be on paper or canvas. It is then transferred to paper, typically by applying pressure. I use non-toxic, water-soluble inks suited for working in the home studio or classroom, and print using a monotype roller, rather than a costly printing press.
Here is my step-by-step process: |
| Make guidelines on a clear, plastic printing plate (1/16" to 1/8" acrylic) by tracing a sketch placed underneath. Use a Sanford Hydromarker - a water-soluble black crayon that washes off easily. That way you can reuse the same plate over and over for different images.
Right: A clear plastic plate is placed on top my digital painting of the Grand Canyon and guidelines are drawn. |
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| When you have finished making the guidelines, turn the plate over; the guidelines become a mirror image to the original. This is done purposefully because the image on the plate will be reversed when it prints, and you don't want your scene of the Grand Canyon to be "backwards" in the final monotype. Another instance when reversing the image on the plate becomes particularly important is when incorporating words or lettering in your image.
Right: The plate is turned over and the drawn lines guide the painting on top. |
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